Clawing! A Journey Through the Spanish Horror

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

The Baby of Mâcon

Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.

The Making of Indiana Jones and the Dial of Destiny

Join the adventure with the cast and crew, showcasing new characters, stunts, music, locations, production design, and visual effects in five chapters that chart the making of Indiana Jones and the Dial of Destiny.

Mank

1930s Hollywood is reevaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane.

Counter Shot: Departure of the Filmmakers

Confessions of a Dangerous Mind

Television made him famous, but his biggest hits happened off screen. Television producer by day, CIA assassin by night, Chuck Barris was recruited by the CIA at the height of his TV career and trained to become a covert operative. Or so Barris said.

In the Lost City

The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.

Heirs of the Beast

The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.

Hearts of Darkness: A Filmmaker's Apocalypse

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

The 'Frankenstein' Files: How Hollywood Made a Monster

The history of Frankenstein's journey from novel to stage to screen to icon.

Sidney Poitier: One Bright Light

Actor/director Sidney Poitier discusses his life and career. He tells of his upbringing in Jamaica; the difficulties he encountered in New York City at the start of his career; his involvement in the US civil-rights movement; and efforts to end apartheid in South Africa. Friends and acquaintances, as well as other performers, give their insights about what makes him so special.

Cinema in Russia

Documentary film about early years of Russian cinema: its first directors, cameramen, producers and actors. Includes rare fragments of pre-revolutionary feature films, newsreels and Starewicz's animation.

The Memory of Cinema: A Film About Fernando Méndez-Leite

A look at the life and work of Spanish filmmaker and film critic Fernando Méndez-Leite, as he writes his memoirs and a novel with autobiographical resonances.

The Exotic Locations of 'The World Is Not Enough'

An exploration of the exotic locations of 'The World Is Not Enough'

A Life for Movies: Lotte Eisner

Born in Berlin in 1896, Lotte Eisner became famous for her passionate involvement in the world of both German and French cinema. In 1936, together with Henri Langlois, she founded the Cinémathèque Française with the goal of saving from destruction films, costumes, sets, posters, and other treasures of the 7th Art. A Jew exiled in Paris, she became a pillar of the capital's cultural scene, where she promoted German cinema.

Babenco: Tell Me When I Die

Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.